We want our surgeons to be excellent. We wants our classical music performers to be excellent. But do we really want excellence everywhere? This is the provocative line of thought economist and mathematician Eric Weinstein is currently chasing. We’ve figured out how to reliably teach excellence, which is useful — but there is a trade-off. Individuals and education institutions become hyper-focused on cutting variant individuals to a certain shape, pushing them into a mold so they can passably imitate the “excellent” population, but not really perform. “The key question is: who are these high-variance individuals? Why are our schools filled with dyslexics? Why are there so many kids diagnosed with ADHD? My claim is these are giant underserved populations who are not meant for the excellence model.” To that end, Weinstein suggests that the label of ‘learning disabled’ is severely misguided. Perhaps we should call this phenomenon what it more accurately is: a teaching disability. How much genius is squandered by muting the strengths of these populations?
Read more at BigThink.com: http://bigthink.com/videos/eric-weins…
Partial transcript and video below
I think that very few people see the words ‘excellence’ or ‘consensus’ as anything other than the most positive of words. These are the habits that most people seek to cultivate. They wish to be part of the consensus. They wish to be excellent in both their behavior and hope for excellent outcomes. I think the problem is that, we didn’t realize that excellence so far as it goes is fine but it’s involved in a trade-off. And that trade-off has to do with the fact that excellence is really about quality control. It’s about the fact that if I’m going to go for, let’s say, a classical music concert, I want to assume that the piece will be played flawlessly and I will concentrate only on the interpretive aspects of the piece above that. But, in fact, quality control can be deadly. For example, if in a jazz date where an improviser takes few risks the music may be pleasant enough as background music but it’s scarcely the sort of thing that would have animated the bebop generation who played live dates under open-mic conditions never knowing what would happen next.
Read more at BigThink.com: http://bigthink.com/videos/eric-weins…
