What makes an idea or product popular? That’s the big question that Derek Thompson investigates in his new book, Hit Makers. Thompson draws on stories of hits from pop culture history, from the impressionist art canon to modern Star Wars sequels. His thesis: familiarity beats novelty and distribution beats content. Along the way, he explains the media landscape that gave rise to Donald Trump, the “myth” of viral content, and why people like things that are new–but not that new.
Derek Thompson is a senior editor at The Atlantic magazine, where he writes about economics, labor markets and the media. He is a regular contributor to NPR’s “Here and Now” and appears frequently on television, including CBS and MSNBC. He has appeared on numerous lists, including both Inc magazine’s and Forbes’ “30 Under 30” and Time magazine’s 140 Best Twitter Feeds. He lives in New York City.
Derek Thompson: “Hit Makers: The Science Of Popularity In An Age Of Distraction” | Talks At Google
Nomad Investment Partnership: Keep An Eye On The Unseen Risks
There are many ways to define risk. Warren Buffett has said that "risk comes from not knowing what you're doing." Q3 2020 hedge fund letters, conferences and more His mentor, Benjamin Graham, believed that risk should be measured as the chance of a permanent capital impairment of an investment. Seth Klarman also holds this view. Read More
Derek Thompson: Hit Makers – Book Review
Hit Makers: The Science of Popularity in an Age of Distraction by Derek Thompson
“This book picks up where The Tipping Point left off.” — Adam Grant, Wharton professor and New York Times bestselling author of ORIGINALS and GIVE AND TAKE
Nothing “goes viral.” If you think a popular movie, song, or app came out of nowhere to become a word-of-mouth success in today’s crowded media environment, you’re missing the real story. Each blockbuster has a secret history—of power, influence, dark broadcasters, and passionate cults that turn some new products into cultural phenomena. Even the most brilliant ideas wither in obscurity if they fail to connect with the right network, and the consumers that matter most aren’t the early adopters, but rather their friends, followers, and imitators — the audience of your audience.
In his groundbreaking investigation, Atlantic senior editor Derek Thompson uncovers the hidden psychology of why we like what we like and reveals the economics of cultural markets that invisibly shape our lives. Shattering the sentimental myths of hit-making that dominate pop culture and business, Thompson shows quality is insufficient for success, nobody has “good taste,” and some of the most popular products in history were one bad break away from utter failure. It may be a new world, but there are some enduring truths to what audiences and consumers want. People love a familiar surprise: a product that is bold, yet sneakily recognizable.
Every business, every artist, every person looking to promote themselves and their work wants to know what makes some works so successful while others disappear. Hit Makers is a magical mystery tour through the last century of pop culture blockbusters and the most valuable currency of the twenty-first century—people’s attention.
From the dawn of impressionist art to the future of Facebook, from small Etsy designers to the origin of Star Wars, Derek Thompson leaves no pet rock unturned to tell the fascinating story of how culture happens and why things become popular.
In Hit Makers, Derek Thompson investigates:
- The secret link between ESPN’s sticky programming and the The Weeknd’s catchy choruses
- Why Facebook is the world’s most important modern newspaper
- How advertising critics predicted Donald Trump
- The 5th grader who accidentally launched “Rock Around the Clock,” the biggest hit in rock and roll history
- How Barack Obama and his speechwriters think of themselves as songwriters
- How Disney conquered the world—but the future of hits belongs to savvy amateurs and individuals
- The French collector who accidentally created the Impressionist canon
- Quantitative evidence that the biggest music hits aren’t always the best
- Why almost all Hollywood blockbusters are sequels, reboots, and adaptations
- Why one year–1991–is responsible for the way pop music sounds today
- Why another year –1932–created the business model of film
- How data scientists proved that “going viral” is a myth
- How 19th century immigration patterns explain the most heard song in the Western Hemisphere
“Enthralling— full of ‘aha’ moments about why some ideas soar and others never get off the ground. This book picks up where The Tipping Point left off.” – Adam Grant, Wharton professor and New York Times bestselling author of ORIGINALS and GIVE AND TAKE
“While giving Lady Luck her due, Thompson studiously examines the myriad factors that make the things we buy, like and follow so irresistible: whether Facebook, TV shows such as Seinfeld, Bumble (the app, not the insect), even favorite lullabies. In Hit Makers, his first book, Thompson tackles this mystery with solid research, ready wit and catchy aphorisms…a wonderful book.” – USA Today
“Hit Makers is thoughtful and thorough, a compelling book …. a terrific look at what makes a hit, from the Mona Lisa to Donald Trump.” – Vox
“Derek Thompson has long been one of the brightest new voices in American journalism. With Hit Makers, he becomes one of the brightest new voices in the world of non-fiction books. Ranging from Impressionist art to German lullabies to Game of Thrones, Hit Makers offers a fresh and compelling take on how the media function and how ideas spread. As deftly written as it is keenly argued, this book — true to its title — is a hit.” – Daniel H. Pink, New York Times bestselling author of DRIVE and TO SELL IS HUMAN
“Derek Thompson’s Hit Makers is a sharply observed history of the megahit, from the 13th-centuy tunic craze to the iPhone, tracing the strange ever-changing mixture of genius, dumb luck, business savvy, and network math that turns an obscurity into a worldwide smash.” – Jordan Ellenberg, New York Times bestselling author of HOW NOT TO BE WRONG
“What makes one song hit, and another, flop, one book a success and the other, fodder for the discount bins? That’s the mystery Derek Thompson probes with his characteristic verve, wit, and insight in “Hit Makers.” It’s an engrossing read that doesn’t settle for easy answers, and one that seems destined to become one of the hits that Thompson so deftly analyzes.” – Maria Konnikova, New York Times bestselling author of THE CONFIDENCE GAME