Fed’s Communication Policy – Crisis Actors And A Reichstag Fire by Ben Hunt, Salient Partners

 

Man in Bar: Tomorrow, I’m gonna be a hero.
Gideon: I’m sorry?
 Man in Bar: You may just be a patsy, but you’re an important one. In fact, I don’t think I’ve ever met a bigger crisis actor than you before. … This is for our country!
[Man in Bar shoots Gideon in neck, killing him]
— “Mr. Robot: eps2.0_unm4sk-pt1.tc” (2016)

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Göring: Why would some poor slob on a farm want to risk his life in a war when the best that he can get out of it is to come back to his farm in one piece? … It is always a simple matter to drag the people along, whether it is a democracy or a fascist dictatorship or a Parliament or a Communist dictatorship.

The people can always be brought to the bidding of the leaders. That is easy. All you have to do is tell them they are being attacked and denounce the pacifists for lack of patriotism and exposing the country to danger. It works the same way in any country.

— Gustave Gilbert, interview recording of Hermann Göring for “Nuremberg Diary” (1947)

Hermann Göring and the Nazis didn’t burn the Reichstag down in 1933. They left that to a simpleton Communist patsy (that’s him in the photo; quite the ur-terrorist, no?). But Göring and the Nazis used the Reichstag fire as their excuse to arrest thousands, establish Hitler as the Führer and unleash a decade-plus of fascist horror on Germany and the world. History is rhyming today, as it always does.

salient-epsilon-theory-ben-hunt-crisis-actors-chaplin-hitler-july-26-2016 Hynkel, the dictator, ruled the nation with an iron fist. Under the new emblem of the double cross, liberty was banished, free speech was suppressed and only the voice of Hynkel was heard. salient-epsilon-theory-ben-hunt-crisis-actors-erdogan-july-26-2016
? Charlie Chaplin, “The Great Dictator” (1940)

Just need a little hair dye on that Erdogan moustache, and I think we’re good to go.

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Harry Angel: You’re crazy. I know who I am. You’re trying to frame me. You’re trying to frame me. Cyphre, I know who I am. You murdered them people. I never killed nobody. I didn’t kill Fowler, and … and I didn’t kill Toots, and I didn’t kill Margaret, and I didn’t kill Krusemark, I didn’t kill no one!
Louis Cyphre: I’m afraid you did, Johnny.
Harry Angel: My name’s not Johnny!
Louis Cyphre: All killed by your own hand. Guided by me, naturally. Frankly, you were doomed from the moment you slit that young boy in half, Johnny … for twelve years you’ve been living on borrowed time and another man’s memories.
? Alan Parker, “Angel Heart” (1987)

My favorite De Niro role, worth watching just for the fingernails and the way the man eats an egg.

 

I shouted out,
Who killed the Kennedys?
When after all
It was you and me.

? Jagger and Richards “Sympathy for the Devil” (1968)

Four people died at the 1969 Altamont concert, including a front row murder during the Stones set. It’s fun to strut on stage and sing about this stuff, until the Hells Angels show you what you’re singing about.

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When you strike at a king, you must kill him.
? Ralph Waldo Emerson (1803 – 1882)

Omar:    Come at the king, you best not miss.

? David Simon, “The Wire” (2002)

Everything I know about politics, I learned from “The Wire”. That and a Ph.D. in Government from Harvard. But mostly “The Wire”.

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Sam Spade: I hope they don’t hang you, precious, by that sweet neck. Yes, angel, I’m gonna send you over. The chances are you’ll get off with life. That means if you’re a good girl, you’ll be out in 20 years. I’ll be waiting for you. If they hang you, I’ll always remember you.
? John Huston, “The Maltese Falcon” (1941)

I think it’s a guy thing, this willingness to be a patsy for a cause, be it love, or lust, or greed, or religion … or a political party. Don’t be a patsy. Be a Sam Spade. Be an Omar.

A “crisis actor” is a familiar theme in all sorts of conspiracy theories. Basically, the idea is that terrorist attacks and the like are false-flag operations, where nefarious government agencies kill their own citizens, directly or indirectly, in order to instill fear and maintain popular support for the smiley-face authoritarianism of the modern State. Crisis actors are the patsies hired by the agencies to weep and wail for the cameras, creating the initial Narrative of terror and supporting the follow-on Narrative of steely government resolve to track down the supposed bad guys.

As per usual with conspiracy theories, the specifics of their claims about crisis actors are nonsense. It’s not “the same girl” crying at Newtown and Orlando and Nice, as the photos on conspiracy websites claim. CNN isn’t a secret division of the CIA. Neil Armstrong really did walk on the moon.

But as also per usual with conspiracy theories, they’re not thinking big enough. Crisis acting isn’t found in the secret construction of a crime scene. It’s found in the public construction of a social Narrative. It’s found in the public statements of the Missionaries (to use the game theory term) who create Common Knowledge — what everyone knows that everyone knows.

Hermann Göring and Erdogan are crisis actors, pretending that the Nazis or the Islamists are the only force standing between the Motherland and political traitors within and abroad, pretending that their “emergency policies” are anything less than a permanent seizure of political control.

It’s oh so easy to look at what’s going on in Turkey and shake our heads and tsk-tsk that awful Erdogan and the awful anti-democratic things he’s doing over there. Because it IS awful. What’s happening today in Turkey is absolutely a carbon copy of what happened in Germany in 1933 with the Reichstag Fire, and every Western president and prime minister and chancellor and secretary of state and foreign minister — all of whom are mouthing the same diplo-speak pablum about the Islamist fascists of 2016 that their counterparts mouthed about the Nazi fascists of 1933 — will have the same stain on their souls. Not that I’m sure many of this 2016 crowd have a soul left to stain. As Gertrude Stein famously said about Oakland, and I’m saying about these crisis actors, there’s no there there. Whatever human beings they used to be, it seems they’ve been absorbed by their public cartoons, which is really just … sad.

But look homeward, angel. Look homeward, too.

Paul Krugman and Tom Friedman and Jim Cramer and their media Missionary kin are also crisis actors, pretending that the Brexit vote was a deluded, colossal mistake perpetrated on innocent UK voters by economic traitors within and abroad.

Janet Yellen and Mario Draghi and their central bank Missionary kin are also crisis actors, pretending that their “emergency policies”, now more than seven years old, are anything less than a permanent political shift in the global allocation of money and credit.

I mean, can’t we just

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